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Конкурсы

2016-№3(15)

MUSIC THEORY AND HISTORY

O. Petrov Historical themes in the operas by John Adams

 

PROBLEMS OF MUSICAL- PERFORMING ARTS

V. А. Vorobyova Sound space of modern inventions for piano

 

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

А. В. Sofiyskaya Influence of Ottoman-Turkish literature on the traditional music and poetry of the Tatar Muslims  

A. I. Makarova  Alyona Arzamasskaya by N. Kosheleva — the first Mordovian ballet 

T. V. Polkovnikova Chuvash music in the new stage of development (1970 — 1990ies)

 

Summary

 

2016-№2(14)

MUSIC THEORY AND HISTORY

 M.E. Girfanova “Roman de Fauvel”, Paris, Bibliothèque nationale, français, 146. Part one. The authors and composition of the manuscript

 

PROBLEMS OF MUSICAL- PERFORMING ARTS

Qu Wa Traditional musical instruments in contemporary Chinese composers’ piano interpretation

 

POPULAR MUSICAL CULTURE

V.N. Syrov Modern jazz as a style phenomenon

 

ISSUES IN MUSIC EDUCATION

L. Braun Music education in Germany: current trends and cultural traditions

 

REVIEWS

O.V. Marchenko The being discovered by music

 

Summary

 

2016-№1(13)

MUSIC THEORY AND HISTORY

I. D. Gorokhova On the front page content in original publications of Clavierübung by J. S. Bach

E. N. Khadeyeva On one constructive principle by I. Stravinsky

 

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS 

G. M. Makarov Music of the Old-Tatar written poetry as part of elite Middle Age culture of the Volga-Kama region Church-singing culture: history and modernity 

S. S. Gerasimovich Church choral singing in Belarus in the late 19th — early 20th century (based on printed sources)

Y. S. Karpov Churh-singing practice in the system of spiritual education

 

REVIEWS 

T. A. Almazova Not just about music. Review of the book Portraits of prominent Tatarstan artists (in the light of spirit and science) by Sh. Kh. Monasypov

 

Summary

 

2015-№4(12)

MUSIC THEORY AND HISTORY

T. V. Tsaregradskaya Okegem and music of the 20th century

V. O. Petrov Luciano berio’s instrumental theatre (dedicated to the composer’s 90th anniversary)

 

PROBLEMS OF MUSICAL-PERFORMING ARTS

E. V. Burundukovskaya Fitzwilliam Virginal Book as a compendium of keyboard music in Elizabethan Englan

S. A. Kostogryz Genre and stylistic priorities of balalaika performance in Ukraine in the last third of the 20th century

 

TO 175th ANNIVERSARY OF P. I. TCHAIKOVSKY

E. Y. Novosyolova Schiller’s image of Joan of Arc on the 19th century opera stage

 

REVIEWS

T. I. Naumenko Ethnic dimension of music science: on conference “music as ethnic dimension of arts”

 

Summary

 

2015-№3(11)

MUSIC THEORY AND HISTORY

Z. Z. Mityukova, A. L. Maklygin Partimento: an improvisational educational practice of the 18th century

I. I. Giniatullina Theme and Variations (On the question of national identity features in N. А. Rimsky-Korsakov’s style)

M. L. Kosmovskaya Instrumental music playing as specific etnographic area of existence: from N. F. Findeizen to our times

 

TO 175th ANNIVERSARY OF P. I. TCHAIKOVSKY

I. Braun Pezzo concertato in Tchaikovsky’s operas                                

E. Y. Novosyolova Voice of Joan of Arc: on the problem of musical imagology

 

ISSUES IN MUSIC EDUCATION

I. A. Presnyakova Modern jazzman’s must-have: “The Jazz Theory Book” by M. Levine

 

Summary

 

2015-№2(10)

DEDICATED TO THE 70th  ANNIVERSARY OF THE KAZAN STATE CONSERVATORY NAMED AFTER N. ZHIGANOV

A. L. Maklygin Zhiganov as research subject

 

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

L. I. Sarvarova Calendar ritual chants of the Mishar Tatars: on specificity of intonational tradition D. A. Bulatova Tatar violin tradition in the context of bow-instruments culture of the Middle Volga

 

MUSIC THEORY AND HISTORY

Cui Xian (translation and commentary of Peng Chen) Introduction to Chinese traditional music theory      

 

PROBLEMS OF MUSICAL- PERFORMING ARTS

M. A. Begovatova Artistic meaning and acoustic properties of extended techniques in playing the saxophone

 

ISSUES IN MUSIC EDUCATION

I. A. Lystsova On ballet accompaniment at the Perm choreographic school

 

REVIEWS and INTERVIEWS

R. D. Gimadiyeva Kazan Piano School: Personalities and Names

D. Jonas German view on music education

 

Summary

 

2015-№1(9)

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

I. M. Nurieva Udmurt song tradition in inter-civilizational space                                                             

 

MUSIC THEORY AND HISTORY

M. Е. Girfanova, N. I. Naumova John Taverner and his service in Cardinal College at Oxford University                                

EY. Shigayeva Meyerbeer’s opera “Northern Star” (“L’etoile du Nord”): Peter the Great or just Peter?                                                                                                          

G. G. Kolomiets Philosophic essence of Sofia Gubaidulina’s works in the context of intercultural dialogue                                                                                                                                  

POPULAR MUSICAL CULTURE

A. M. Nagornova Latino and bossa nova. Some terminological aspects of the popular music                                                                                                                  

Y. S. Dyachenko Richard Galliano’s “New musette” and bayan (accordion) art of the late 20th and early 21st century                                                                                                                      

REVIEWS

L. K. Karelina Bright event in the world of Turkology                                                                                      

L. V. Brazhnik “With harmony in life”

 

2014-№4(8)

MUSIC THEORY AND HISTORY

А. К. Safuanova, M. E. Girfanova Carl Friedrich Fasch — the founder of the Berlin Singing Academy (Sing-Akademie zu Berlin)

V. O. Petrov Chamber instrumental performance: the problem of dramaturgic layers relation

 

MUSICAL CULTURE IN THE RUSSIAN REGIONS AND ABROAD

E. K. Karelina Tuvinian’s Music tradition in space of the modern culture

E. G. Skovikova Sacred music outside of the church living in the City of Simbirsk at the turn of the 20th century

O. Р. Yurchenko Cimbalom in Ukraine: history and modernity

 

ISSUES IN MUSIC EDUCATION

I. A. Presnyakova On some problems of teaching jazz harmony

 

REVIEWS

E. M. Tsaryova Necessary Publication: Review on the book by L. Royzman Literary Legacy 

Т. А. Starostina Conference in memory of S. V. Smolensky. Choral Art at the Present Time

 

2014-№3(7)

MUSIC THEORY AND HISTORY

M. E. Girfanova Johannes de Muris on time signature in mensural music ars nova

T. F. Prodma Immersion in the Meaning. J. S. Bach’s  Organ Toccata (and Fugue) in C-dur BWV 564

O. V. Usova Leitmotif as structural semantic category of the musical text (on example of symphonic music)

 

MUSICAL CULTURE OF RUSSIA’S REGIONS

E. U. Omakayeva, B. K. Borlykovа On the history of collection and publication of Kalmyks’ song and dance folklore (based on archival materials of folklore expeditions by H. J. Ramstedt, D. Rudnev and A. V. Burdukov)       

N. A. Barkova, E. K. Karelina Imaginative world of the piano cycle by O. Kurgek  Olchei’s First New Year: an attempt of reviewing children’s music in the works of Tuvan composers

E. G. Skovikova Liturgical singing in churches of the City of Simbirsk (late 19th — early 20th century)

E. V. Anisimova Y. Tolkach. Symphony in memory of J. Sibelius: in search of general symbol of unity of the Finno-Ugric peoples

 

ANNIVERSARIES 

D. R. Zagidullina Features of orchestral notation in Farid Yarullin’s works (on example of the 1st movement of Symphony a-moll)

A. A. Kasianova Sonorism in Shamil Sharifullin’s works

 

REVIEWS 

L. I. Sarvarova, L. A. Fedotova Finno-Ugric music forum

Y. S. Karpov Conference in memory of S. V. Smolensky

V. I. Yakovlev All Russian conferences in the City of Kazan on current issues of musical performing art: formulating approaches for their solution     

 

2014-№2(6)

MUSIC THEORY AND HISTORY

L. V. Brazhnik Absence of melodic semitones in N. Ya. Myaskovssky symphonies as factor of continuity in the Russian classical tradition

 

PROBLEMS OF MUSICAL-PERFORMING ARTS

E. V. Mikhaylov Purports and forms of A. Scriabin’s Eight Sonata

S. L. Fedoseyeva The art principles of M. V. Yudina

 

MUSICAL CULTURE OF RUSSIA’S REGIONS

M. I. Gaziev From the bait performance history

A. N. Khasanova About the individualization of folklore rhythmic forms in the music of Tatar composers of the first half of the ХХth century

Y. Y. Tsykina Resolution of the Central Committee of the CPSU(b) of 1948 “On the opera ‘The Great Friendship’ by V. Muradeli” and the Mari musical culture

E. S. Alimova Crimean-Tatar and Russian-Ukrainian roots of M. Khalitova’s vocal lyricism

 

REVIEWS

E. V. Porfiryveva The musicological offering to the anniversary of the outstanding Master

 

2014-№1(5)

MUSIC THEORY AND HISTORY

A. V. Kudryavtsev The syllabic in musical and poetic traditions of the Russian city in the 18th century

Е. М. Smirnova On the criteria of musical foot separation in quantitative folk tunes

 

MUSICAL CULTURE OF RUSSIA’S REGIONS

T. V. Babochkina Choral compositions by M. A. Yudin on Russian folk texts

G. M. Makarov Gata Iskhaki and Ismagil Ilyalov as coryphaei of mandolin art in Tatar culture

V. I. Yakovlev Kazan Ethnographic School: Scope and Results of Interdisciplinary Studies

 

2013-№2(4)

MUSIC THEORY AND HISTORY

O. V. Zhestkova A skillful man Egene Scrib

P. A. Pavlova Old Believers’ and “Nikonian” plainchants today: Unity or Opposition?

 

MUSICAL CULTURE OF RUSSIA’S REGIONS

P. W. Kuivinen The role of left hand garmun accompaniment in Tatar folk garmun tradition: consonant accompaniment — a remnant of traditional monophony

L. I. Bushueva Alexander Vasil’ev’s cantata «Uyav» as a phenomenon of Chuvash choral culture 

 

2013-№1(3)

MUSIC THEORY AND HISTORY

M. N. Tchebourkina The systhem of organ dispositions of François dom Bedos de Celles (1766–1770–1778)

P. Laki The Symphony of Death or the Death of the Symphony? Observations on Mahler’s Symphony No. 9

 

PROBLEMS OF MUSICAL-PERFORMING ARTS

D. S. Rabotkina Tchaikovsky’s Grand Sonata Op. 37

 

MUSICAL CULTURE OF RUSSIA’S REGIONS

M. G. Kondratiev The manuscript is of great interest”: Timofei Paramonov's Musical Legacy

A. N. Khasanova Rhythmic Intonations of «recitative verse» tunes in S. Saidashev’s vocal and instrumental works

 

REVIEWS and INTERVIEWS

V. V. Asarova Rosanoff on interpretation of Early music (To the 80th Anniversary of professor I. V. Rosanoff)

J. V. Selyfonova Frazier J. Maurice Duruflé: the man and his musiс. Rochester, 2007

M. V. Vladimirova, L. A. Fedotova Griffits P. A Concise Hustory of Avant-garde Music: from Debussy to Bulez. New York and Toronto, Oxford University Press, 1978

G. Trier Beethoven’s Visual Articulation (From Visual Articulation ofReading to Truthful Reading of the Original Flow of Music)

H. Dinova «Unknown» Tchaikovsky? (An interview with Yuri Leonovich)

E. G. Treskin Maestro (To the 100th Anniversary of N. K. Dautov)

 

2012-№2(2)

MUSIC THEORY AND HISTORY

L. A. Fedotova Musical analysis as a genre of musicology – is it relevant today? 

R.L. Pospelova, M.V. Bogdanova "Harmonic documents" on variable systems. To the study Y.N. Kholopov’s archive (To the 80th Anniversary Y.N. Kholopov) 

O.V. Zhestkova Fra Diavolo and villains in the 19th century operas

 

PROBLEMS OF MUSICAL-PERFORMING ARTS

V. G. Lukyanov Tonal semantics of Mussorgsky (Practical view of a choirmaster)

 

MUSICAL CULTURE OF RUSSIA’S REGIONS

E .K. Karelina Composer’s performance: to the question of typology and problems of study 

R. D. Gimadieva A. Leman - piano class teacher at the Kazan Music College

 

 2012-№1(1)                 

MUSIC THEORY AND HISTORY

GIRFANOVA M.E. Some notes on the historical formation of accentual musical rhythm: parallels between W.C. Printz’s theory of quantitas temporalis intrinseca and the musical practice of the 17th century

ZHESTKOVA O.V., BARANOV A.G. J. Haydn’s masses and the ‘Cecilian Movement’ in the 19th century

BRAZHNIK L.V. Anhemitonic melody in Rimsky-Korsakov’s operas

RAKHMANOVA M.PS.V. Smolensky: the study of materials Athos expedition

 

MUSICAL CULTURE OF RUSSIA’S REGIONS

SAIFULLINA G.R. “Beware listening to saz!..” Gabashi—theologian on permissibility of music in Islam

SMIRNOVA E.M. Arud meters in Tatar chants көйләп уку: to the question of study              

JAKOVLEV V.I. The bells of the Volga-Urals in multicultural context

 

CONTEMPORARY COMPOSERS

SURMINOVA O. V. Onomaphony in the genre of “A brief history of music”